My Pinhole Photos (and negatives)

We’re done with pinhole cameras now, so I’m going to be uploading the ten positives and ten negatives that I came out with as finished products and presented for critique.

There were a lot of light leaks in my camera, but I like the feeling of them and the evidence of analogue photography that they leave behind, so I didn’t try to take them out when I made prints, and a lot of them weren’t removed when I cropped down my prints. They’re very small, in the physical range of approximately 4×5 but my camera was crooked and so are a lot of my prints and different ones cropped out to different sizes.

You can also see them all here on tumblr (under my pinhole tag) if you prefer. (they’re bigger there than here.) (I also have higher resolutions, but tumblr resized them down. These are probably big enough for the average internet user anyway.)

(I obviously need a new layout, but I just left a huge white space to keep from having to size-down my images any further and try to keep them from running into the text on the sidebar. Sorry, I don’t really have the time to be messing with layouts right now. Please scroll down. )

01 – negative

01 – positive

02 – negative

Positive 02

Jungle (negative)


Negative 04

Positive 04

Negative 05

Positive 05

Positive 05 run though photoshop with an auto-tone filter. This is closer to how I would have liked the positive to look, but I couldn’t get the contrast right.

Fire Hydrant Negative

Fire Hydrant Positive

This is the actual contact print as developed by hand. The next one I’ll be uploading is run through photoshop with an “auto tone” filter and is probably closer to how I would have liked it to look, but I just couldn’t get it to come out with crisp enough blacks and a high enough contrast.

This positive actually gave me no end of trouble. I got beautiful tones on my test strips, but I couldn’t replicate them when I went to make my print. I don’t know if it’s because I was working on a different enlarger or if I changed a setting and didn’t realize it or something, but eventually I ended up having to develop this on completely different settings than my test strips.

Fire Hydrant Positive (auto-tone)

This is actually a little more washed out than I’d like it to be but I can’t seem to get a happy medium between this one and the other one. I experienced the same difficulties in the darkroom.

James (negative)

James (negative, cropped)

James (positive)

The Apple (negative)

The Apple (positive)

Prison (negative)

Prison (positive)

Prison (positive, auto-tone)

At the end of the day. (negative)

At the end of the day. (positive)


Pinhole Photography

I’ve started a tumblr to keep track of images, but I’m going to keep this blog going, too. The tumblr is here for anyone who is interested in that kind of thing.

Today’s post (as you might have guessed from the last post) is going to be extremely image-heavy, and will center on pinhole photography.

Click images for larger versions. (they will link to offsite locations).

Here’s a nice guide to exposure when using a pinhole camera, written up by

Photographer: Tim Myers (source)
Medium: Photography, Pinhole Camera
Date: Posted on July 31, 2012

Photographer: Frans van dijk (source)
Medium: Photography, Pinhole camera.

Salt Self Portrait
Photographer: G Lancaster (source)
Medium: Photography, Pinhole Camera

Photographer: G Lancaster (source)
Medium: Photography, Pinhole Camera

Pinhole Bottle
Photographer: G Lancaster (source)
Medium: Photography, Pinhole Camera

Shellscape Buildings
Photographer: Gina Bellando (source)
Medium: Photography, Pinhole photography

Photographer: Gina Glover (source)
Medium: Photography, Pinhole photography

the examiner.sml
Photographer: Gina Glover (source)
Medium: Photography, Pinhole photography

Photographer: Gina Glover (source)
Medium: Photography, Pinhole photography

Hebridean Light 1
Photographer: Gina Glover (source)
Medium: Photography, Pinhole photography

Hebridean Light 2
Photographer: Gina Glover (source)
Medium: Photography, Pinhole photography

Photographer: Ed Lawrence (source)
Medium: Photography, Pinhole photography

Photographer: Edoardo Pasero (source)
Medium: Photography, Pinhole Photography

untitled -first
Photographer: Edoardo Pasero (source)
Medium: Photography, Pinhole Photography

untitled – second
Photographer: Edoardo Pasero (source)
Medium: Photography, Pinhole Photography

Playa, Mirar
Photographer: Eduardo Villegas (source)
Medium: Photography, Pinhole Photography

Photographer: Dr. Moni Litmanovitch (source)
Medium: Photography, pinhole photography

Sepxy Saxen
Photographer: Pablo Niro (source)
Medium: Photography, Pinhole photography

p 11
Photographer: Philippe Samson (source)
Medium: Photography, Pinhole Photography

Photographer: Waylon Ling (source)
Medium: Photography, Pinhole photography

delftse poort 2
Photographer: Peter Voeten (source)
Medium: Photography, Pinhole Photography

delftsepoort dubbel
Photographer: Peter Voeten (source)
Medium: Photography, Pinhole Photography

Whatipu Cliff, Wet Down, Post Modern Threshold, Stokes Point, Oyster threshold, Britomart Project, Black Rock Pumpstation, Gnome’n’me, Grafton Threshold, Grave Spirits, Back Yard Bodymorph
Photographer: Phil Bonham (source)
Medium: Photography, Pinhole Photography

Well, you get the idea. I picked my favorites up to Page 9 of

I tried to pick some of the most varied and unique ones, but also ones that appealed to me visually or that surprised me that they could be pinhole photography.

8/21/2012: Introduction to Photography

This is the basic idea behind how a camera works. The object is processed through the lens, reflected onto a surface and bam. You have the basic idea of an image.

The first cameras were the Camera Obscura (Dark Box) and weren’t so much interested in capturing the image as just seeing them reflected onto the paper. That didn’t last, and why should it? Let’s keep that nonsense five-ever! Or until it fades and yellows and turns to dust, right?

Here’s a good site talking about how a camera works and breaking it down into the important steps and terms that you’ll need to know.

A camera works through a series of reflections, the basic technology that makes it possible is very simple. A still film camera is made of three basic elements: an optical element (the lens), a chemical element (the film) and a mechanical element (the camera body itself).

The optical component of the camera is the lens. At its simplest, a lens is just a curved piece of glass or plastic. Its job is to take the beams of light bouncing off of an object and redirect them so they come together to form a real image – an image that looks just like the scene in front of the lens. As light travels from one medium to another, it changes speed. Light travels more quickly through air than it does through glass, so a lens slows it down.

When light waves enter a piece of glass at an angle, one part of the wave will reach the glass before another and so will start slowing down first. The effect on light is the same; as it enters the glass at an angle, it bends in one direction. It bends again when it exits the glass because parts of the light wave enter the air and speed up before other parts of the wave. In a standard converging, or convex lens, one or both sides of the glass curves out. This means rays of light passing through will bend toward the center of the lens on entry.

This effectively reverses the path of light from an object. A light source, say a candle, emits light in all directions. The rays of light all start at the same point (the candle’s flame) and then are constantly diverging. A converging lens takes those rays and redirects them so they are all converging back to one point. At the point where the rays converge, you get a real image of the candle (ie: the flame). The rays enter through the shutter and pass the aperture.

The chemical component of the camera is the film. In film cameras, there are chemicals in the film that change their nature when exposed to light. The silver salts that the film is made up of react and darken, the more light that hits the film the darker it gets. The film is forming a negative image. The darker something is on your negative the lighter it will be on your print. These chemicals are on such tiny grains that you would have to blow up the picture many times to see the “graininess”.

The camera body itself is the final component in looking at how the camera works. In conjunction with the lens which filters light and the film which is altered when exposed to the light, the camera has many functions which make it all possible.

  1. The Shutter release button which opens the shutter to let the light in. The longer the shutter stays open, the more light comes in. This is called the shutter speed.
  2. The aperture, or the size of the hole in the camera, is also important this determines how much light comes in. Both the shutter speed and the aperture control the amount of light that strikes the film. This is known as exposure.
  3. When you look through the viewfinderat the back of the camera you will see almost what your photograph will look like.
  4. The focusmeasures how far the subject is from the camera and determines the clarity of the subject.
  5. Some cameras have a Flash unit, when it is dark, the camera determines if you will need extra light . Some cameras will do this automatically and others will require you to turn the flash on. You can now take a picture in low light. When you take your photograph, a light will flash.
  6. The spool within the camera is what the film winds around after each shot has been taken, this prevents double exposurefrom occuring.
  7. Opposite to the spool is the film chamber which holds the film canister in place.

View from the Window at Le Gras, France 1826, Joseph Nicéphore Niépce
This photo took almost 8 hours to take – you can see the sun passing – there is light on both sides.

The Giant Camera Obscura in San Francisco
How it works

An image from it. – this link also links to a video where you can see it working in “real time”. Well, it was real time at the time the video was taken.

Camper Obscura at Spittalfields for PhotoFair 2011
Camper Obscura

The vehicle is the outreach project for FOTONOW, engaging a wide variety of people that hop into the dark space to see projected obscura images. The project is now funded by FOTONOW as it looks to find means to best develop innovative projects and support a better understanding of photographic and community arts practice.

Church of the Pyramid Camera Obscura, Burning Man 1994

Steam powered camera obscura, Burning Man 2005.

Ann Hamilton did a series of pinhole camera images using her mouth as the camera. You can find a blog post about it here and there’s an Art21 about it (as well as some of her other work) and the reasons behind it that’s really interesting.

The point – you can make a camera from anything.

The next post will be about the homework.

Homework: Browse pinhole camera photographs online on your own. (Pinhole Resource,, etc.) and get a feel for what pinhole camera photos look like. Also familirize yourself with camreas and exposure.

For next class bring:

  • cutting knife
  • cutting mat
  • recycled aluminum can

The following will be provided, but if you have any of these things, please bring them, as supplies will be limited:

  • black foam core
  • black tape
  • glue
  • pliers
  • tin snips
  • photo corners
  • first round of paper
  • sewing needles (size of hole determines focus, depth of field, & how long you have to let light in. A smaller hole makes better focus)