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From Swinging Bridge, photograph by Ron Reeder.

Reeder works with palladium prints made from digital negatives that are made from scanned analogue negatives. He gets some beautiful results using the same paper I use for salt prints – arches platine.

Photoshop image stacking

This technique can be used in a lot of ways to communicate fracture, motion, time lapse and distortion from multiple images into a single image. Some examples:


Smeared Skies made from hundreds of stacked photographs by Matt Molloy


(Matt Molloy)
Time Collapse: How time-lapse photography led to turning stacks of frames into a single image
Molloy talks about his process with stacking. He uses an automated script to stack his photos (called advanced stacker (more about advanced stacker here) and applies lightening techniques usually employed with star trail photography like the tutorial here talks about. See photos here and here

I found this process while trying to remember something I wrote about in response reading [Lucy Soutter, “The Collapsed Archive: Idris Khan,” review of Idris Khan at Victoria Miro Gallery, London, Source, no. 49 (Winter 2006): 46-47.] (I wrote about this here in August 2011. I guess this imagery really stayed with me. was also, very specifically thinking about Bernd and Hilla Becher’s typologies that Khan collapsed into a single image.

Every… Bernd And Hilla Becher Gable Side Houses 2004
Photogrphic print 208 x 160 cm

Since 1959 Bernd and Hilla Becher have been photographing industrial structures that exemplify modernist engineering, such as gas reservoirs and water towers. Their photogrphs are often presented in groups of similar design; their repreated images make these everyday buildings seem stragely imposing and alien. Idris khan’s Every… Bernd And Gilla Becher series appropriates the Bechers’ imagery and compiles their collections into sing super-images. Inthis piece, multiple images of American-single gabled houses are digitally layered and super-imposed giving the effect of an impressionistic drawing or blurred film still. (source)


<p align right="Every… Bernd And Hilla Becher Prison Type Gasholders 2004
Photographic print 208 x 160cm

The structure in the Bechers’ original photographs are almost identical, though in Khan’s hands the images’ contrast and opacity is adjusted to ensure each layer can be seen and has presence. Though Kahn works in mechanised media and his images are of industrial subjects, their effect is of a soft ethereal energy. They exude a transfixing spiritual quality in their densely compacted details and ghostly outlines. … Prison Type Gasholders conveys a sense of time depiicted in motion, as if transporting the old building, in its obsolete black and white format, into the extreme future. (source)</a

Every… Bernd And Hilla Becher Spherical type Gasholders 2004
Photographic print 208 x 160cm

The Bechers took their photos as a means to document a disappearing tradition;
by grouping them according to ‘typology’ the buildings’ designs function like archetypal symbols or an architectural language. Through Khan’s translucent aggregations, structures such as ….Spherical Type Gasholders lose their commanding simplicity and rigid formalism and descend into fractured and gestural blurs. Through his photographs Khan compresses the timelind of repetition into indivisible subsuming moments and creates a poetic mutability from the fixed codes of history. (source)</a

Reassembled

Justin Myer Staller
Assembled Plates
printed with Akua Intaglio Ink

“Marge” Twenty plates inked (bigger)
and reassembled into the full image.

“Bridge St.” Seven plates
assembled on the press bed.

Justin Myer Staller is a printmaker living in Philadelphia. He is an adjunct professor of printmaking at Arcadia University and is a member of Space 1026. Justin completed his BA from Penn State University and his MFA from the Rochester Institute of Technology.

Information retrieved from: Akua

This is a really interesting technique to work with, particularly in a self portrait when talking about a fragmented identity. It might be interesting to do some experiments in this style with c-printing from a single negative onto multiple pieces of paper. I think I have some 8×10 left from last semester that I could work with if I shot a roll. Something to consider.