Throw them in the air, paste them back together.

I was going through old notepad notes on my phone and I found this note of random things from last semester:

Naked lunch
Throw them in the air paste them back together

I don’t know what some of these were about, but the bolded one stands out to me as an interesting way to work on presenting the idea of dissociating from the body.

Print the work, then cut it into strips, paste those strips back together. Potentially, it could be scanned and reprinted as one image but I might need a really big scanner for that. There are digital alternatives, as well. Some glitching does the digital version of tossing something into the air and then pasting the sections back together. This is something to consider when working – something more than just the photography to capture the meaning since I’m struggling with ways to show that visually in a photograph.


You are what you eat.

If everything you said/did was written/painted on your body would you watch what you say/do? – smiles515

This seems like an interesting interpretation of identity, taking the spin of “what you do and say makes you who you are. I think I might be interested in recording myself for a day and writing everything I say on myself and photographing it. That’s only one piece, though. I wonder how I could space it out or make it more involved.

Printmaking: Reduction cuts

Tonight, I worked on printmaking homework. My first assignment is to work on practice cuts to explore ways of using the printmaking tools. I knew right away that I wanted to do some trees, but I also made a lot of experimental lines, too. 

I looked at some example cuts and advice online. 

Here is Jodie Hurt’s fish, that I really liked:


I also found this nice step-by-step on how to transfer a drawing to a linoleum block because it’s been awhile since I’ve done it and I couldn’t remember if there was anything special I needed to do to make it happen.

Since I wanted to work on trees, I decided to google search “Aspen tree prints” to get an idea of how an actual tree would transfer into a print or drawing style with little shading. I found this beautiful print on etsy that I really liked:

And here’s my work as of about an hour ago, including the sketch:

Assignment: Kinetic Type Animation

Description: Create an expressive typographic animation containing verse/lyrics (10-12 lines) of your own writing. the 20 second animation will be exectued using After Effects.

So I went through some old poetry and lyrics looking for something I didn’t hate. I didn’t find much, to be honest. Most of it is either really bad, overly long, or far too short to meet the requirements and I’m not feeling particularly lyrical or poetic lately, so I don’t know what I’m going to do.

Here are the old poems I found that I considered using either parts of or expanding on:

Untitled 1:

Abstract lonliness
“Why did you call?”
You’re right. 
I shouldn’t have

Heartsick emptiness
“In the purely physical sense of things…”
Maybe you’re right…
But I can’t walk away.

Mournful Hatred
“I had hopes and dreams before I had you.”
It’s not like I asked to be born.
I’ve tried my hardest…

Endless isolation
“I only want to be around him.”
Maybe that’s how it should be.
I’m part of the rest of the world…

Aren’t I?
(May 1, 2003)

Tanka: Butterfly
(Adding to this would change the format – it was written as a tanka, so I’m not really thrilled about changing it since it was so painstakingly arranged to begin with, but whatever)

Your hands released me
And I flew inside of you
I nested in your heart
Waiting to be reborn
Longing to feel your touch again
(September 23, 2009)

Haiku: Revelations: still reeling

Revelations on
a red-tinted horizon
Halo round a ball
of burning gas. I admit
it, you had me fooled.
(Oct 4, 2009)

Freeverse: Derelict, Distracted

Lazily licking corners of perception
Feline-esque in presentation, and brilliant like the sunrise
It begins,
Drifting in and out of this conscious state of self-awareness

Served up, preformed ideals
and I’m wishing the limits weren’t so tight.
Violent thrashing in heavy pulsation
Beat, pause. beat, pause.
But faster, rushing, strobing frenzy

Volume increase and
left with a stalking feeling.

Receding prey and washed out post-high exhaustion.
October 2009

Unfinished lyrical snippets of various lengths:

More in face, than in name
Take this pride away and let me fall
A gift for one so weary
I surrender
To take the blame
Of this parade
And may the waves just pull me under

These scars so deep that none can see
The truth that lies between you and me.


And all this time spinning round
In circles of my own design
Streamlined screaming of your name
Nothing will ever feel the same

What do I do when the music inside me dies?
When you rip my feet out from under me?


Atroquinine, My Love

Drowning in blue
Drowning in you
Atroquinine poison
Telltale color of your eyes.

15 minutes to love
This bitter taste of you.

I played the fool for you.
Blindly I would fall
Into blue

Never felt the rapture.
Never the release.
These chains in which you hold my heart
Are cutting way too deep

A letter, a name
Nothing ties me to you like the blood in my veins

These chains
Binding my heart
A whisper of release

Your name

Darkness, descent
My words lost
Black on empty white
Illegible by the sun’s light.

Then I have maybe this one piece of prose writing that I could use:

Don’t Ask

“That blood! How did it get there?”
No one asks. No one tells.
“That bruise! Was it from training drills? Did you get into a fight?
No one asks. No one tells.
“Where were you last night?”
“Don’t ask.”

And this that I wrote today, some unfleshed out prose I was working on that I’ll probably never finish. Also under the “lines” requirement and probably won’t work:

“I am a delicate flower.”
“You are strong.”
“I am a perennial.”
“We are coming out of winter now; spring is coming.”

I really have no idea what I’m going to do for this. I’m so frustrated. I used to write so much and now that I need writing, I can’t find anything I’ve done that I want to use.

Proposal : Final Project : Photography

This project will attempt to explore language, words, and images that we see every day around us but don’t notice. After much consideration, it is likely that this project will be about how we connect (or fail to connect) to each other in an ever-increasing urban world by documenting the words and images that people just can not keep inside of themselves and feel a strong urge to expunge into the world around them, primarily through various forms of non-traditional graffiti. This is not so much looking at the art of graffiti, but rather the way people communicate through writing and art in unexpected places – walls, bathroom stalls, stickers in public places, and similar means. It may also include other forms of communication – letters, shopping lists, personal and private memos, notes people write to themselves. The idea is not 100% fleshed out yet, but this is the direction that it has taken after a lot of twists and turns of process.


The art is being presented in a small format book, an intensely personal and private viewing experience that will cause the viewer to have to sit with the words and letters and experience them individually and consider the person who wrote the words or drew the pictures or stuck up the stickers they are seeing and perhaps the personal motivations behind those actions. This is a continuation into an exploration of thought that I have been having about the way we communicate (or don’t communicate) in our modern society and how we connect (or don’t connect) with other people.


The book I am using has 84 pages front and back, including the front and back buffer pages. It isn’t likely that I’m going to make 84 prints or that 84 prints would even be reasonable for a person to sit with for that long. Subtracting the front and back buffer pages, we have 80 pages, which is still too many and will likely leave the book far too bulky to even be attractive. What this means is that some of the pages will be glued together in some fashion. I am still researching adhesives that will be most appropriate for this venture. Hopefully I already have something that will be good to use. 80 divided by 2 is still 40 pages, which is still an extraordinary number of prints; by 3, it’s not an even number: 26.7 (rounded), divided by 4, we get 20: a much more reasonable number. It’s probable that I’ll be shooting for around 20 prints. Once I get there, I’ll be putting the little prints into the book to see how much it warps the book out and how it looks before I start any gluing or anything.



Materials Needed: (other than film, camera, and tripod obviously)

  • Repurposed pre-printed book (size of pages is approximately 4¼ ” x 2 ½”, with the cover being slightly larger) (already acquired)
  • Various types of paper for experimental printing (already acquired)
  • Adhesive for attaching prints to book pages (need to research appropriate adhesives)

Transformation: Infographic to Website

So the goal here is to turn my finished infographic into a website with 3-4 internal functional links, external links to information, etc. It needs to be created in photoshop, migrated to dreamweaver and be based on a grid system. Architectural system is due Wednesday.

I’m doing research here based on other people’s well-designed websites for inspiration.

Pound and Grain
(Found here: 25 well designed websites)

(found here:
41 colorful & well designed websites)

lost world’s fairs
(found here: 41 colorful & well designed websites)

More forthcoming.

Drunk Driving Infographic

I’ve been working on this for weeks, but I finally needed to start getting stuff organized since I have so much information spread out all over the place and I’m going to need to be citing sources, etc.

I started my research with a basic question: “How can deaths from drunk driving be prevented?”

Fortunately, a research topic on this had already been done by the CDC and I was able to pull their fact sheet here which detailed a lot of what I was going to need for my infographic. They also cite all of their sources, so instead of citing them I’ll be citing their original sources, since that’s more reliable.

I’ve worked with a couple of layouts and I don’t know if I want to use table charts or pie charts. people seem to be able to pull more information more quickly from pie charts so I’ll probably go with that. I have my grid structure set up and a few ideas for different color palettes but I’ve been playing with them and I’m still not decided between these three:


ice world


The first is the most dramatic, but I’m leaning more toward the last one. It’s subdued and kind and it’s a sensitive subject and I don’t want people to be driven away by the colors. I want them to feel affected and empowered but also sobered (no pun intended) and blue is a calming color but also tends to invoke sadness sometimes. The yellow blends in as a nice background color avoiding white and doesn’t clash with the blue and will also provide subtle highlights. I might bring in another color for emphasis from one of the other two palettes if I settle on the third one. I’m not sure yet.

I found a great quote, even though it’s probably out of context, it’s still witty and adds some levity to a grave situation:

  • >>”I never worry about being driven to drink, I only worry about being driven home” – W.C. Fields

I have a lot of information here and a lot of little pictograms to organize and I need to get back to work, I just wanted to start cataloging sources.

I really want to make a pie chart comparing some things but I’m having a hard time coming up with related statistics that could go well in a pie chart so if anyone has anything (Please include a source for the statistic) that’s from 2010 or more recent, please leave a comment so I can include it. I want a big pie chart in the middle of the graphic and I have the perfect place for it. Thanks for reading!

>>>”Sobriety checkpoints reduce alcohol-related crashes
>>>>A systematic review conducted by CDC researchers on behalf of the Task Force on Community Preventive Services concluded that sobriety checkpoints reduce alcohol-related crashes. Sobriety checkpoints are traffic stops where law enforcement officers systematically select drivers to assess their level of alcohol impairment. The goal of sobriety checkpoints is to deter alcohol-impaired driving by increasing drivers’ perceived risk of arrest. Results indicated that sobriety checkpoints consistently reduced alcohol-related crashes, typically by about 20 percent. The results were similar regardless of how the checkpoints were conducted, for short-term “blitzes,” or when checkpoints were used continuously for several years. This suggests that the effectiveness of checkpoints does not diminish over time.

Related Articles
Guide to Community Preventive Services. Reducing alcohol-impaired driving: sobriety checkpoints. [cited 2009 Nov 3]. Available at URL:
Elder RW, Shults RA, Sleet DA, Nichols JL, Zaza S, Thompson RS. Effectiveness of sobriety checkpoints for reducing alcohol-involved crashes. Traffic Injury Prevention 2002;3:266-74.

vital signs with images statistics


The next assignment in photography has not been well defined yet, but it starts with a walk and a reading from Wanderlust: A History of Walking by Rebecca Solnt.

Here are some quotes from the book that particularly stood out in the short portion that was read aloud to us during class for inspiration.

  • “Where does it start? Muscles tense. One leg a pillar, holding the body upright between the earth and sky. The other a pendulum, swinging from behind. Heel touches down. The whole weight of the body rolls forward onto the ball of the foot. The big toe pushes off, and the delicately balanced weight of the body shifts again. The legs reverse position. It starts with a step and then another step and then another that add up like taps on a drum to a rhythm, the rhythm of walking. The most obvious and the most obscure thing in the world, this walking that wanders so readily into religion, philosophy, landscape, urban policy, anatomy, allegory, and heartbreak.
  • “Thinking is generally thought of as doing nothing in a production-oriented culture, and doing nothing is hard to do. It’s best done by disguising it as doing something, and the something closest to doing nothing is walking. Walking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. Is is a bodily labor that produces nothing but thoughts, experiences, arrivals.”
  • “To make walking into an investigation, a ritual, a meditation, is a special subset of walking . . . Which is to say that the subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.”
  • “The rhythm of walking generates a kind of thinking, and the passage through a landscape echoes or stimulates the passage through a series of thoughts. This creates an odd consonance between internal and external passage, one that suggests that the mind is also a landscape of sorts and that walking is one way to traverse it.”

Interesting sites of note about mindful walking include:

I haven’t yet taken my walk – I don’t know if I’ll record anything personal about it. I’m debating between taking my camera and/or my phone and/or a voice recorder to record my thoughts while I walk.

Years ago I used to walk to clear my head. I think better when I’m in motion. I used to carry an old bulky tape recorder with me and transcribe the thoughts when I got back. I walked best late at night in the winter in a small rural town where I knew all the paths. I didn’t think about where I was going – just let my feet take me there and let my mind go where it wanted. I’m a little excited about getting back into this and being more aware of the things I see this time around.

One of the things I love about photography is taking the ordinary and making it extraordinary and I think that may be a lot of what this assignment ends up being about.


Although I haven’t posted my finished work for Jack & Jill & Fool on the Hill (it’s forthcoming), I need to continue to move forward. My current work is a news headline in the style of Lucian Bernhard.

Via Wikipedia, I learned that Bernhard was a “German graphic designer…through the first half of the 20th century…”

He was influential in helping create the design style known as Plakatstil (Poster Style), which used reductive imagery and flat-color as well as Sachplakat (‘object poster’) which restricted the image to simply the object being advertised and the brand name. He was also known for his designs for Stiller shoes, Manoli cigarettes, and Priester matches.

Here, an example of his work for Manoli (in 1910-11):

And here, an example of his work for Stiller shoes (in 1908):

Wikipedia lists several typfaces that will be invaluable to me in the process of emulating Bernhard’s work.

Typeface will be executed in illustrator, while imagery will be arranged in photoshop. Ideally, I’d like to be able to vector the primary image that I choose to use in the poster in illustrator, as Bernhard’s style lends well to that, but we’ll see how it goes. My skills in Illustrator are sorely lacking.

The piece must contain a headline from a newspaper (current event) and then, of course, imagery to match, but all must be rendered in Bernhard’s style.

I believe the headline I am going to use is one from the Denver Post from a few weeks ago: Gun debate locked and loaded. Witty headline writer is at it again. I really enjoy the punnery in the headline and it lends well to a single graphical image.

More examples of Bernhard’s work:


A World War I German propaganda poster urging the sale of war bonds in the Plakastil style pioneered by Lucian Bernhard.

Lucian Bernhard, Priester Matches, 1909 by kitchener.lord on Flickr

The Priester Match poster is a watershed document of modern graphic design, or rather, proto-Modern design. Its composition is so stark and its colors so startling that it captures the viewer’s eye in an instant. Before 1906, when the poster first appeared on the streets of Berlin, persuasive simplicity was a rare thing in most advertising: posters, especially, tended to be wordy and ornate. No one had yet heard of its young creator, who, thanks to this poster, was to influence the genre of advertising known as the Sachplakat, or object poster.

Hail Bernhard the Magnificent

To be continued.

Will Blucifer’s 5th birthday be last at DIA?

Nuggets: Waiting for Superman

Booked up

Gun Debate Locked, Loaded

Mars Rover Drills Deep

Climbing price of fuel won’t shift into reverse soon

Northeast digs out after blizzard

Love your heart

Treating Addiction